The DubStation plug-in is modeled on the "bucket-brigade" style of vintage
delay units, and has all the mojo that made those boxes great. Accurate down
to the warm sound of the feedback loop and the low-fidelity character of the
originals, DubStation is just what the (witch) doctor ordered.
Perfect for synths, vocals, and guitar, ADverb is also capable of creating
the unusual effects that are typical of vintage hardware units. Featuring a
sophisticated and well-tuned reverb algorithm, ADverb has a much lower CPU
load than convolution reverbs, and can be used as either a send or insert
effect.
Return to Analog
VTAPE is a set of three plugins based on a thorough simulation of the
famous sound of analog tape machines.
VTAPE Saturator simulates the recording and playback on an analog tape
mastering machine.
VTAPE Delay combines this sound with a modern, step sequencer-like
tapped delay engine which leads the tradition of the tape echo machines
into the 21st century.
VTAPE Flanger simulates the legendary "Tape flanging" effect which can
be achieved through the playback of two tape machines running at slightly
different speed.
Unique to TDESIGN is the ability to shape the transient not only
amplitude wise but also with a dynamically controlled 24 dB lowpass filter
with resonance control. This gives you the opportunity to change the sound
in a way which normally is only possible if you recreate it with a
synthesizer ! The transient design process works best on drums and other
material which exhibits strong rhythmical components. But itüfs really
worth to try it with other input sources...
The multi-band pitch shifter PRISM takes a fresh approach to solve the
problem of shifting the pitch of complex sound sources in realtime.
Traditional frequency shifting shifts all frequencies in an input up by the
same amount and thereby alters their harmonic relation and tends to produce
inharmonic results. But it's perfect in dealing with transients.
The 914 is a subtle effect, capable of adding rich luster to pads, and
giving percussive and lead synth sounds a vocal quality. It is an excellent
tool for the sound designer's palette, simple to use yet capable of complex
and unique timbres. Improvements over the original 907A include a bandwidth
control, separate level adjustments for wet and dry signal, makeup gain, and
four extra frequency bands.
Note: Since the first release of our original 13 guitar pedals, there is
not a single line of the original code. Everything is rewritten and
optimized, so you need at least SSE2 capable processor. We believe this is
not a problem, except of machines in computer museums.